The Beauty of RU Ru Ware. Was It Made in the Palace or Forbidden to be Made There? An Explanation by a Native English Speaker, Ronald W. Longsdorf
Foreword by K. Y. Ng
Notes on Ru and Guan Wares of the Northern Song Dynasty
Ru Ware and “Guan Ware”, Qingliang Temple and Zhanggongxiang
The Art of Song Dynasty The Art of Song Dynasty
Tang and Song Ceramic Tea Ware Exhibition Song Dynasty Black-glazed Tea Bowls from the Yulinting Kilns at Mount Wuyi (revised basing on the article published in the Kaikodo Journal 2008, No. 24)
宋遇林亭窯金彩山水碗
Spring in Jinling Preface by Lang Shaojun
Foreword by K.Y. Ng
Preface by Howard Rogers
The Flowering Field Preface by Howard Rogers
Foreword by K. Y. Ng
The Return to Tradition and the Resurgence of Individuality: New Developments in Contemporary Chinese Painting
Shadow Skeletons and New Realities-Guohua and Cultural Identity
Chinese Painting after the End of Art
Contemporary Chinese Paintings Preface by Zhu Junbo
Preface by K. Y. Ng
Eternal Brushwork
Shuimohua and Contemporary Artistic Expression
The Infinite Palette Preface by K.Y. Ng
The Palette of Chinese Painting
The Palette of Twentieth-Century Chinese Painting
The Verdant Cliff Foreword by K.Y. Ng
Preface by Shi Shou-qian
Chinese Figure Paintings Foreword by K.Y. Ng
An Review of Twentieth Century Chinese Ink Figure Paintings
Metamorphosis Foreword by K. Y. Ng
In the Literati Tradition Foreword by K. Y. Ng
In the Literati Tradition